“
MUSIC OF THE CENTURIES
I rarely go to press conferences before the event. For the simple reason that artists, directors, producers tell journalists what they are going to do. And it seems to me that it is much more correct to call press conferences after the event. About two weeks ago I met with the author of the idea and the composer of the musical-drama show "AMEN", a singer and producer Araksiya Mushegyan. We had a long talk, and I kept asking what it would be and how it would look. I received in-depth answers, but a thought was firmly seated in my mind: "These are all just talks for now. We'll see this all on stage, then we'll make our own conclusions".
On June 23 the premiere took place and I am now ready to draw my conclusion.
There is no doubt that the promised show really turned out to be grandiose. Magnificent, luxurious music, beautiful vocalists, gathered in premier from different countries, three instrumentalists (the National Philharmonic Orchestra of Armenia, rock musicians and populists). And the "Hover" choir, dance groups, students of the circus school, wonderful lighting effects and computer video installations - all this worked to create a unique spectacle and magnificent atmosphere.
The presentation passed in one breath and for an hour and a half or two hours music lovers did not lose sight of what was happening on the stage of the Sports and Concert Complex. And it was worth it. From the very first notes of the performance it became clear that we are going to hear and see something powerful and unusual. And it happened.
To begin with, the conductor and artistic director of the orchestra, maestro Topchyan, did not conduct in his usual black jacket, but in a T-shirt with the logo of the performance. Then, when orchestra, chorus, folk musicians and rockers all simultaneously played the overture, shivers ran over the skin. Now, about the music. It is difficult to describe it in words, and to give standard classification too. Officially, it probably should be called a pop-classic or a classic crossover. All this sounded, I repeat, powerfully, pathetic, beautiful and elegant. The fact that almost all the arias were in Italian, added to the sound of the performance a certain gloss. I'm sure, when the show goes to foreign scenes, the listeners will be delighted very much. What can I say? Only the fact that when Hrachuhi Bassentz sang "Dle Yaman", everyone was sitting around me and including myself wept sobbing. Without exaggeration! (as the participants of the performance told me later, all those standing backstage also had tears on their cheeks).
Well, and finally, a summary.
Yerevan has not yet seen a thematic music show of such level and quality. Three or four unsuccessful attempts in previous years to create and stage large-scale musicals on historical themes completely failed. In this case, we have a serious idea based on great music with a serious dramatic component. Not for nothing, an ovation arranged by the participants of the show lasted more than ten minutes (I specially marked it).
Armen Manukyan, "The Voice of Armenia" 06/28/2017